Yu Honglei, bronze, flower, 71×47×29 cm

, #10 is a way of looking at the reality based on a person and one’s body, hence realizing image production from what has been seen and heard. Thus, they are the pictorial realities in response to or parallel to the physical reality. The body becomes the critical entry by which the artist enters abstraction – it is the intersection of all realities, the abstraction within the real, and vice versa.

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Ma Qiusha, An Incident of Love, Video, Color, Sound, 1’12”, 2004

An overlapping time
1981 10 28 1982 3 23 1982 10 28 1983 3 23 1983 10 28 1984 3 23 1984 10 28 1985 3 23 1985 10 28 1986 3 23 1986 10 28 1987 3 23 1987 10 28 1988 3 23 1988 10 28 1989 3 23 1989 10 28 1990 3 23 1990 10 28 1991 3 23 1991 10 28 1992 3 23 1992 10 28 1993 3 23 1993 10 28 1994 3 23 1994 10 28 1995 3 23 1995 10 28 1996 3 23 1996 10 28 1997 3 23 1997 10 28 1998 3 23 1998 10 28 1999 3 23 1999 10 28 2000 3 23 2000 10 28 2001 3 23 2001 10 28 2002 3 23 2002 10 28 2003 3 23 2003 10 28 2004 3 23 2004 10 28

Zhu Jia, Wardrobe

摄影机的镜头取代了一只手和眼睛的位置在一个衣柜里翻来找去的动作,摄影机记录了镜头与衣橱里的衣服直接的接触过程,强调了主观视觉存在的可能性。

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