Chen Dandizi, I’m Awake Tonight, 2021, Two-channel video, color, sound 3’19”

Once I saw this video on YouTube, a compilation of moments of capture in
animal hunts from the North American Hunting Association. With the hunter’s gun locked in place, the animals were cursed and unable to escape. The second before being shot, their eyes look confused and fearful, stared straight in the direction of humans, and then all fell to the ground with a thud. I felt confused and vulnerable by this violent energy, as a user commented under the video: The most dangerous animal in the world.
Although hunting is ancient and primitive, I felt uncomfortable revisiting a killing “spree” in such an intense and unequal way. In another sense, it resonates with the human pleasure of pursuing absolute power. Therefore, I took this video of the hunt and juxtaposed it with another
video. I banged out some negative words on a brass plate and tuned up the metal clanging sound to echo the sound of the gunshots in the former video. On the screen, a blinking of huge eyes shows startling unease from hearing loud noises. It looks directly into the camera lens, making it impossible to avoid, with which to provoke the viewer’s fearful association
with other related matters.

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Tao Hui, Talk About Body, Video, Color, Sound, 3′45′′, 2013

The artist addressed in her own room, acting as an Islamic girl. She toke the article which was written by a physical anthropologist analyzing his own body as the chief source. He analyzes the body structure,,physiognomy characteristic and blood lineage gene objectively in detail and fabricates a ceremony scene according to the authentic materials. He attempts to abandon emotion and focus on his own body, resist the over-spiritual confinement by traditional religion and try to make a balance between them. “I give up all of my prejudice and create my body by natural facts.

Yang Zhenzhong, Fish Bowl

录像内容为近摄一张反复说“我们不是鱼”的嘴,三台电视机垂直叠放在注满水的鱼缸中。

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