Red(Portrait), Pencil and watercolor on paper, 20×20 cm, 2020

Courtesy of the artist.

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Chen Dandizi, Conversion of Feelings, horseshoes, nails, metallic paint, giclee 101 horseshoes in 10-15 diameter, photo 100cm x 72cm, 2020

I scatter the nailed horseshoes along routes people must encounter in the space in order to discuss a concealed emotional boundary. Stepping on the tipping point of the nails triggers a sudden ache, by which I would like to refer to those strong yet vague pain gained from the interpersonal relationships.
Pain could be conceived as one of the challenges for people to undertake in the reality, and we all have different reactions towards it. No matter it is the immediate turning away from the extreme painfulness, or it is the gradual process that a horseshoes-like thick cuticle grows out and covers the physical body after a long distance walk, both are examples of an inner decision.

Hu Jieming, Home?

在门的正面锁孔处安装电视机一台,电视机播放的画面为正在锁孔中窥探的脸部特写。
这个脸由59个不同种族的五官构成,不同的五官每秒5秒交替出现。
在门的背面,观众通过锁孔观看影像内容。

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