Dai Chenlian, How to Become A Zombie in the Art World, Video, Color, Sound, 10’07”, 2012

The artist addressed in her own room, acting as an Islamic girl. She toke the article which was written by a physical anthropologist analyzing his own body as the chief source. He analyzes the body structure,，physiognomy characteristic and blood lineage gene objectively in detail and fabricates a ceremony scene according to the authentic materials. He attempts to abandon emotion and focus on his own body, resist the over-spiritual confinement by traditional religion and try to make a balance between them. “I give up all of my prejudice and create my body by natural facts.

在门的正面锁孔处安装电视机一台，电视机播放的画面为正在锁孔中窥探的脸部特写。
这个脸由59个不同种族的五官构成，不同的五官每秒5秒交替出现。
在门的背面，观众通过锁孔观看影像内容。

As much as Tang Dixin’s video may give the impression of a documentary film, once the work begins to reel, one quickly realizes the necessity for adopting a fictional perspective. A young Chinese Tang, who met a young Japanese Nan and convinced him to be buried in a hole among the reeds. This process seemed like two lonely strangers coincidentally met and played a game together, a unique encounter that could not have be repeated. Tang Dixin has an acute ability to grasp theatricality in a contemporary sense–the unusual, illogical and arbitrary encounters of strangers in an unfamiliar environment. The tacit understanding the two men have achieved is final, which neither has a past or a future, nor influenced by any conditions, but in the scenes constructed by these moving images here and now.