Wuhan Ecological Art Park is a place frequented by an illegal pyramid scheme organization. The salesperson would lead a tour and give random meanings to the public sculptures in order to persuade the public to join their organization. The artist interrupted the tour with similarly or even more absurd acts, such as talking to a bronze figure. The salesperson was freaked out by Zhu’s performance and left. Zhu then took over and told a story to the crowd about the battles between the real estate and East Lake, rise of central China, Capitalism, and the desire for success.
Payen Zhu, Each Is a Corporate and Each Is a Product, Video, Color, Sound 12’17”, 2015
As much as Tang Dixin’s video may give the impression of a documentary film, once the work begins to reel, one quickly realizes the necessity for adopting a fictional perspective. A young Chinese Tang, who met a young Japanese Nan and convinced him to be buried in a hole among the reeds. This process seemed like two lonely strangers coincidentally met and played a game together, a unique encounter that could not have be repeated. Tang Dixin has an acute ability to grasp theatricality in a contemporary sense–the unusual, illogical and arbitrary encounters of strangers in an unfamiliar environment. The tacit understanding the two men have achieved is final, which neither has a past or a future, nor influenced by any conditions, but in the scenes constructed by these moving images here and now.
A performer(artist) makes the dead skin and dust float in the air through scratching, itching, shaking and peeling of the skin, and makes them visible in the air through special light .