Li Ran, Mont Sainte-Victoire, Video, Color, Sound,Live performance & Video Installation, 34′36′′, 2012

Mont Sainte-Victoire is a mountain located in South France, which artist Paul Cezanne had a full view of from his studio.  During Cezanne’s lifetime, he had painted dozens of paintings depicting this mountain. Li Ran uses the mountain’s name as the exhibition title, trying to construct his own entry point into this modernist aesthetic, whilst re-viewing fragmented experiences that are grounded in our own history. Li Ran has compiled a four-part statement comprising of the themes: Reflection of Images and Scenes, Gaze, Competition and Encounter. During the exhibition opening, a live performance took place with the artist mimicking voice-over styles from 1970s-1980s’ Chinese dubbed movies. The performance is accompanied with a display of three automatically timed projectors exhibiting a continuous loop of more than 200 photographic slides. The images of these slides feature ‘image extracts’ culled from the artist’s own aesthetic experiences of modern historical images of the ‘west’ found in textbooks and art history.

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Yan Xing, Arty, Super-Arty, Single channel HD video (b/w, silent, loop), 9’16”, 2013

This work is based on works by Edward Hopper (1882–1967). Using a “realist” scene constructed by Hopper as a prototype, seven original works are intertwined with past works by the artist. The “reality of art” re-interprets the “super-arty” world. The whole mime is interspersed with the artist’s expressions concerning “arty” and “super-arty”. All of the features that appear in this work point to an exploration of “art” itself. One could say that without the artist’s misinterpretation of “art”, there would certainly be no better definition of “Super-Arty”.

Shi Qing, Anorexic, Video, Color, Sound, 18″00, 2006

社会心理取样 | 这部风格化的影像试图提取中国 80 年代后群体心理的结构性样本,其中主角由四个不 同的演员分别扮演意在强调事件的普遍意义,厌食症作为社会心理症候的隐喻,从肉食迷恋到恋尸倾向 的戏剧性处理,和排队经验轨训的身体一起,把社会转型后的个体选择逼进了进退两难的仄境。

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