Li Ran, Mont Sainte-Victoire, Video, Color, Sound,Live performance & Video Installation, 34′36′′, 2012

Mont Sainte-Victoire is a mountain located in South France, which artist Paul Cezanne had a full view of from his studio.  During Cezanne’s lifetime, he had painted dozens of paintings depicting this mountain. Li Ran uses the mountain’s name as the exhibition title, trying to construct his own entry point into this modernist aesthetic, whilst re-viewing fragmented experiences that are grounded in our own history. Li Ran has compiled a four-part statement comprising of the themes: Reflection of Images and Scenes, Gaze, Competition and Encounter. During the exhibition opening, a live performance took place with the artist mimicking voice-over styles from 1970s-1980s’ Chinese dubbed movies. The performance is accompanied with a display of three automatically timed projectors exhibiting a continuous loop of more than 200 photographic slides. The images of these slides feature ‘image extracts’ culled from the artist’s own aesthetic experiences of modern historical images of the ‘west’ found in textbooks and art history.

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Zhang Peili, Assignment No.1

《作业一号》展示常规化验血样採集的影像:以消毒无脂棉球擦拭手指、用採血锥扎破手指、出血、玻璃吸管採血、用消毒棉花擦去手指上的血迹、挤压手指使其再次出血、用吸管採血。如此重复数次,最后将吸管内的血滴在玻璃片上,刮片。作品的影像均以慢速播放。这个有严格流程的纪录片让我们联想到人体控制的技术。一如张培力同时期的其他作品,《作业一号》让观众质疑作品所记录的严格流程,实际来自种种经编制的身体操控技术,把原本让人不适的过程转换为例行公事甚至沉闷的步骤。

Yan Xing, Arty, Super-Arty, Single channel HD video (b/w, silent, loop), 9’16”, 2013

This work is based on works by Edward Hopper (1882–1967). Using a “realist” scene constructed by Hopper as a prototype, seven original works are intertwined with past works by the artist. The “reality of art” re-interprets the “super-arty” world. The whole mime is interspersed with the artist’s expressions concerning “arty” and “super-arty”. All of the features that appear in this work point to an exploration of “art” itself. One could say that without the artist’s misinterpretation of “art”, there would certainly be no better definition of “Super-Arty”.

Zhu Jia, Wardrobe

摄影机的镜头取代了一只手和眼睛的位置在一个衣柜里翻来找去的动作,摄影机记录了镜头与衣橱里的衣服直接的接触过程,强调了主观视觉存在的可能性。

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