Tao Hui, Talk About Body, Video, Color, Sound, 3′45′′, 2013

The artist addressed in her own room, acting as an Islamic girl. She toke the article which was written by a physical anthropologist analyzing his own body as the chief source. He analyzes the body structure,,physiognomy characteristic and blood lineage gene objectively in detail and fabricates a ceremony scene according to the authentic materials. He attempts to abandon emotion and focus on his own body, resist the over-spiritual confinement by traditional religion and try to make a balance between them. “I give up all of my prejudice and create my body by natural facts.

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Chen Dandizi, I’m Awake Tonight, 2021, Two-channel video, color, sound 3’19”

Once I saw this video on YouTube, a compilation of moments of capture in
animal hunts from the North American Hunting Association. With the hunter’s gun locked in place, the animals were cursed and unable to escape. The second before being shot, their eyes look confused and fearful, stared straight in the direction of humans, and then all fell to the ground with a thud. I felt confused and vulnerable by this violent energy, as a user commented under the video: The most dangerous animal in the world.
Although hunting is ancient and primitive, I felt uncomfortable revisiting a killing “spree” in such an intense and unequal way. In another sense, it resonates with the human pleasure of pursuing absolute power. Therefore, I took this video of the hunt and juxtaposed it with another
video. I banged out some negative words on a brass plate and tuned up the metal clanging sound to echo the sound of the gunshots in the former video. On the screen, a blinking of huge eyes shows startling unease from hearing loud noises. It looks directly into the camera lens, making it impossible to avoid, with which to provoke the viewer’s fearful association
with other related matters.

Yu Honglei, bronze, flower, 71×47×29 cm

, #10 is a way of looking at the reality based on a person and one’s body, hence realizing image production from what has been seen and heard. Thus, they are the pictorial realities in response to or parallel to the physical reality. The body becomes the critical entry by which the artist enters abstraction – it is the intersection of all realities, the abstraction within the real, and vice versa.

Chen Dandizi, Conversion of Feelings, horseshoes, nails, metallic paint, giclee 101 horseshoes in 10-15 diameter, photo 100cm x 72cm, 2020

I scatter the nailed horseshoes along routes people must encounter in the space in order to discuss a concealed emotional boundary. Stepping on the tipping point of the nails triggers a sudden ache, by which I would like to refer to those strong yet vague pain gained from the interpersonal relationships.
Pain could be conceived as one of the challenges for people to undertake in the reality, and we all have different reactions towards it. No matter it is the immediate turning away from the extreme painfulness, or it is the gradual process that a horseshoes-like thick cuticle grows out and covers the physical body after a long distance walk, both are examples of an inner decision.

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