Tong Wenmin, Hover, Video, Color, Sound, 6’00”, 2017

2017.03.09, Hongbai Town, Sichuan Province, China.
I picked up the remains of an old eagle under a water tower. It fell
from the sky, a long time ago. I extended the wings along my arms . I connect myself with the eagle and walk around and make impromptu movements in my daily living environment.

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Hu Jieming, Home?

在门的正面锁孔处安装电视机一台,电视机播放的画面为正在锁孔中窥探的脸部特写。
这个脸由59个不同种族的五官构成,不同的五官每秒5秒交替出现。
在门的背面,观众通过锁孔观看影像内容。

Li Ran, Somewhat Abstract, Somewhat Realistic, 2019, Two-channel HD video, black and white & color, sound, 4’55”

Questions such as Abstract and Realistic, Realism and Classicism have always been part of the problem of self-presupposition in the Chinese art industry, and now this presupposition seems to bring us to a kind of thorny land. No matter it is our self-expression or the imagination of “the other”, this splitting and ambiguous face has become a new spokesperson. In the Cilm, I convinced the photographer who often works with me to play the roles of model and makeup artist together.

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