Wang Xu , Garden of Seasons, 2019, Two-channel video, color, sound 33’16” , Untitled Athena, 2021, marble, 53×26×24 cm

Heritage Falls Park, located in the Monterey Park near the Vincent Price Art Museum, consists of a grassy hillside bisected by a tiered fountain with a niche to the end. It was built in the late 1920s by a real-estate developer named Peter N. Snyder, who originally installed in the niche a marble sculpture of a female figure that he referred to as “Athena” in honor of his Greek heritage. The sculpture mysteriously disappeared shortly after it was installed, and the fountain sat empty until 2005, when the Monterey Park Historical Society installed another “Athena” as replacement. Neither the original sculpture nor its replacement bears any of the formal signifiers commonly associated with the Greek goddess Athena.
In 2016, artist Wang Xu granted Equitable Vitrines the permission to use his sculpture Eve (2015) in a proposal for an intervention at the Heritage Falls Park. Wang produced Eve at a marble quarry and commercial sculpture factory in Quyang, China by recovering a damaged statue of the Biblical figure and re-carving it according to the image of a woman who worked at the factory. The proposal would have temporarily placed Eve in the fountain alongside the replaced Athena, which was also imported from Quyang. Equitable Vitrines rescinded its proposal at the conclusion of a debate over the project at a meeting of the Monterey Park City Council in 2017.
Wang Xu’s Garden of Seasons features a marble sculpture, Untitled Athena, and a two-channel video, “Garden of Seasons” that combines footages recording the process of making the Athena sculpture, and the video clips of the city council debating on the destiny of the sculpture, Eve. Through language, the meaning of art becomes abstract.

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Chen Dandizi, Conversion of Feelings, horseshoes, nails, metallic paint, giclee 101 horseshoes in 10-15 diameter, photo 100cm x 72cm, 2020

I scatter the nailed horseshoes along routes people must encounter in the space in order to discuss a concealed emotional boundary. Stepping on the tipping point of the nails triggers a sudden ache, by which I would like to refer to those strong yet vague pain gained from the interpersonal relationships.
Pain could be conceived as one of the challenges for people to undertake in the reality, and we all have different reactions towards it. No matter it is the immediate turning away from the extreme painfulness, or it is the gradual process that a horseshoes-like thick cuticle grows out and covers the physical body after a long distance walk, both are examples of an inner decision.

Wang gongxin, Baby Talk

屋顶上方悬挂一架投影仪,将六个成年人(父母和爷爷奶奶,姥姥姥爷)逗弄小婴孩的表情动作投影在婴儿床的表面。婴儿床其实是一个盛满牛奶的容器,中间有一个循环装置能够推动牛奶循环。伴随着影像的动作,观众能听到的只是牛奶流动的声音。

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