Shi Qing, Anorexic, Video, Color, Sound, 18″00, 2006

社会心理取样 | 这部风格化的影像试图提取中国 80 年代后群体心理的结构性样本,其中主角由四个不 同的演员分别扮演意在强调事件的普遍意义,厌食症作为社会心理症候的隐喻,从肉食迷恋到恋尸倾向 的戏剧性处理,和排队经验轨训的身体一起,把社会转型后的个体选择逼进了进退两难的仄境。

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Wang gongxin, Baby Talk

屋顶上方悬挂一架投影仪,将六个成年人(父母和爷爷奶奶,姥姥姥爷)逗弄小婴孩的表情动作投影在婴儿床的表面。婴儿床其实是一个盛满牛奶的容器,中间有一个循环装置能够推动牛奶循环。伴随着影像的动作,观众能听到的只是牛奶流动的声音。

Li Liao, A Slap in Wuhan, Video, Color, Sound, 5’09”, 2010

On the Pedestrian Street in Wuchang District, Wuhan City, Hubei Province, Li Liao closed his eyes, waited for a slap in the face from the perpetrator who volunteered online. After the slap, Li Liao continued to maintain his eyes closed until the perpetrator left.

Li Ran, Mont Sainte-Victoire, Video, Color, Sound,Live performance & Video Installation, 34′36′′, 2012

Mont Sainte-Victoire is a mountain located in South France, which artist Paul Cezanne had a full view of from his studio.  During Cezanne’s lifetime, he had painted dozens of paintings depicting this mountain. Li Ran uses the mountain’s name as the exhibition title, trying to construct his own entry point into this modernist aesthetic, whilst re-viewing fragmented experiences that are grounded in our own history. Li Ran has compiled a four-part statement comprising of the themes: Reflection of Images and Scenes, Gaze, Competition and Encounter. During the exhibition opening, a live performance took place with the artist mimicking voice-over styles from 1970s-1980s’ Chinese dubbed movies. The performance is accompanied with a display of three automatically timed projectors exhibiting a continuous loop of more than 200 photographic slides. The images of these slides feature ‘image extracts’ culled from the artist’s own aesthetic experiences of modern historical images of the ‘west’ found in textbooks and art history.

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