This work is based on works by Edward Hopper (1882–1967). Using a “realist” scene constructed by Hopper as a prototype, seven original works are intertwined with past works by the artist. The “reality of art” re-interprets the “super-arty” world. The whole mime is interspersed with the artist’s expressions concerning “arty” and “super-arty”. All of the features that appear in this work point to an exploration of “art” itself. One could say that without the artist’s misinterpretation of “art”, there would certainly be no better definition of “Super-Arty”.
On the Pedestrian Street in Wuchang District, Wuhan City, Hubei Province, Li Liao closed his eyes, waited for a slap in the face from the perpetrator who volunteered online. After the slap, Li Liao continued to maintain his eyes closed until the perpetrator left.
Courtesy of the artist.
2017.03.09, Hongbai Town, Sichuan Province, China.
I picked up the remains of an old eagle under a water tower. It fell
from the sky, a long time ago. I extended the wings along my arms . I connect myself with the eagle and walk around and make impromptu movements in my daily living environment.
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