Zhang Qing, Taxi Samba, Video, Color, Sound, 6’00”, Nanjing (2003) / Germany (2005)

Ma Qiusha’s From No.4 Pingyuanli to No.4 Tianqiaobeili and Tao Hui’s The Dusk of Teheran are both performances captured by a single camera lens, and both of which have strung together the stories of a lifetime through a single-channel video. Among the younger generation of contemporary Chinese artists, video art has become the mainstream, but those who have adopted this medium to manifest their personal perspectives are still few. “Art for the sake of life” is another classic expression for this kind of personal expression, not only is it part of the modern Chinese art, but also a core component in ancient art and literature, that the concerns of life of an individual as an “analogy” for society and history, this is how new artistic medium or genre grow their roots in existing Chinese experiences.

录像内容为近摄一张反复说“我们不是鱼”的嘴，三台电视机垂直叠放在注满水的鱼缸中。