Mutual exercise is some practices and experiences in a mutual way between my friend and me in the public space. We provide each other with our bodies to move forward mutually and to rehearse different kinds of common actions, according to the unostentatious and interesting scenes and objects. When we are still, it seems that we were just the same as all those ordinary people around.
摄影机的镜头取代了一只手和眼睛的位置在一个衣柜里翻来找去的动作，摄影机记录了镜头与衣橱里的衣服直接的接触过程，强调了主观视觉存在的可能性。
Both Wang Xingwei’s Ji Gong and Duan Jianyu’s The Muse has Awoken No.3 both offer conspicuous comical impressions, which on the one hand, articulate a kind of literary comedy from the narrations of the figures on canvas, their expressions, motion, theatricality and etc., while stylistically – be it Wang Xingwei’s compositional momentum and the exaggeration rendered through brushwork, or Duan Jianyu’s kitsch and crass emphasis – give shape to the comedy of mannerism, providing theatricality for the language of painting. Thirdly, they are comical on a cultural history level as they have adopted the Baroque style to portray the Mad Monk and placed the Goddess on Dunhuang murals into modern countryside context, this kind of casual yet poignant fusion has taken the “La Comédie Humaine” approach to respond to the rapidly evolving Chinese society and the unsettled dust of cultural order.
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